Kristine Dizon
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How the Clarinet is Used in Classical, Jazz, and Contemporary Music

7/19/2026

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Dr. Kristine Dizon performing clarinet in Panama City as part of FUNSICOPA.
One of the things I love most about the clarinet is how flexible the instrument is across different musical styles. Many students first encounter the clarinet through school band or classical repertoire, but the instrument has an incredibly rich history that extends far beyond one tradition.
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The clarinet exists in classical music, jazz, film music, folk traditions, contemporary music, improvisation, and experimental music. Because of this, I always encourage students to listen broadly and remain curious about the many different possibilities the instrument offers.
The clarinet in classical music

For many clarinetists, classical repertoire becomes the foundation of their training. Composers such as Mozart, Weber, Brahms, and Debussy helped establish the clarinet as an important solo, chamber, and orchestral instrument.

The clarinet is capable of a huge range of colors and emotions. It can sound lyrical, warm, dramatic, playful, dark, delicate, or brilliant depending on the repertoire and the performer.

One of the things I often emphasize in my teaching is that classical playing is not only about technical accuracy. Students also need to think about phrasing, style, tone color, articulation, and musical character.
Classical clarinet repertoire also helps students develop:

  • Breath control
  • Technical consistency
  • Flexibility between registers
  • Listening skills
  • Ensemble awareness
  • Musical interpretation

At the same time, I think classical training can be an excellent foundation for students interested in jazz and contemporary music. Classical study develops discipline, tone production, technical control, reading skills, and breath support, all of which can transfer into other musical styles.

I always tell students that classical training does not limit you. If anything, it gives you tools. The goal is not to sound classical in every style, but to use that foundation to become more flexible, confident, and expressive as a musician.

The clarinet in jazz

Many students are surprised to discover how important the clarinet was in the history of jazz. Musicians such as Benny Goodman, Artie Shaw, and Sidney Bechet helped shape the sound of swing and early jazz traditions.

Today, clarinetists such as Gregory Agid and Doreen Ketchens continue to demonstrate how alive the clarinet remains in jazz traditions. Gregory Agid is part of the New Orleans jazz scene and performs widely as both a clarinetist and saxophonist, while Doreen Ketchens is internationally recognized for her virtuosic New Orleans jazz clarinet playing and improvisation.

Jazz clarinet playing often involves a very different approach to articulation, rhythm, phrasing, and improvisation than classical playing. While classical musicians are often trained to reproduce a written score very precisely, jazz musicians also develop spontaneity and personal interpretation in real time.

I think this is one of the reasons the clarinet is such an interesting instrument. It can move between highly structured repertoire and highly improvisatory traditions while still maintaining its own identity.

Listening to jazz can also help classical students develop:
  • Rhythmic flexibility
  • Creativity
  • Confidence
  • Stylistic awareness
  • Different approaches to tone and articulation

The clarinet in contemporary music

Contemporary clarinet repertoire has expanded enormously over the past century. Today, clarinetists may perform works that include:

  • Extended techniques
  • Multiphonics
  • Microtones
  • Electronics
  • Improvisation
  • Spoken text
  • Graphic notation

For some students, contemporary music initially feels intimidating because it does not always follow traditional harmonic or formal expectations. However, I often encourage students to approach contemporary music with curiosity rather than fear.

Contemporary repertoire allows clarinetists to explore the instrument in new ways and think creatively about sound production, texture, rhythm, and performance.

Some of the most influential figures in contemporary clarinet performance include William O. Smith and Eric Mandat. William O. Smith helped expand the possibilities of the clarinet through extended techniques, multiphonics, and experimental approaches to sound, while Eric Mandat’s work has had a major impact on contemporary clarinet pedagogy and performance practice.

I had the opportunity to study with Eric Mandat, whose teaching and approach to contemporary clarinet performance deeply influenced the way I think about sound, flexibility, and experimentation on the instrument. Experiences like these helped me understand that contemporary music is not simply about playing unusual sounds, but about developing curiosity, creativity, and a broader understanding of what the clarinet can do.

I also think students who study classical repertoire often transition more successfully into contemporary music because they already understand breath support, technique, phrasing, endurance, and listening. Contemporary music simply asks students to apply those skills in new and often unfamiliar ways.

As someone who has worked extensively with contemporary and interdisciplinary music, I think these experiences can be extremely valuable for students because they encourage flexibility, listening, experimentation, and openness to new ideas.

Why listening broadly matters

One of the biggest mistakes students can make is believing they only need to listen to one style of music in order to become a strong musician.

In my teaching, I try to expose students to many different performers, composers, and traditions because listening broadly helps students develop:

  • Musical curiosity
  • Stylistic awareness
  • Creativity
  • Flexibility
  • A stronger musical identity

Even if a student eventually specializes in one area, understanding different musical traditions can make them a more thoughtful and adaptable musician.

Conclusion

The clarinet is one of the most versatile instruments in music. From classical repertoire to jazz improvisation to contemporary experimental works, the instrument continues to evolve across traditions and styles.

One of the most exciting things about studying clarinet is discovering how many different musical worlds the instrument can inhabit.

​Ready to explore the clarinet across different styles?

At the Music & Language Learning Center, students can develop strong clarinet fundamentals while exploring classical repertoire, jazz influences, contemporary music, and creative approaches to sound. Contact us to book a clarinet lesson or consultation with Kristine Dizon.
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    ​Dr. Kristine Dizon is a clarinetist, conductor, and music educator. She is the Founder and Director of the Music & Language Learning Center. Her previous accolades include the prestigious Banting Postdoctoral Fellowship, the Fundação para a Ciência e a Tecnologia award, and the Fulbright Scholarship.

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  • Home
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